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Part of: The Mughal empire · The Mughal empire: the emperors · The Mughal empire: the state, economy and culture

The Mughal empire: the state, economy and culture

1556 to 1739 CE

The Mughal state rested on one arithmetic, the mansab that fixed a noble's rank, pay and horsemen, and on one bargain, the jagir that paid him from the land through zamindars he could not do without. It measured fields, fixed revenue in cash, and drew the world's silver to India's cloth. Its painters and architects produced the Taj; its historians have argued for a century about why the system broke.

Literary sources

  • The court chronicles and the European travellers of the whole Mughal age are read in full with the emperors. (The Mughal empire: the emperors)
  • Works this page draws on
    • Akbarnama (Abul Fazl, 1589 to 1598), whose third volume is the Ain i Akbari: an official panegyric, to be read as one.
    • Tuzuk i Jahangiri (Jahangir): his autobiography, and the finest Mughal writing on natural history and painting.
    • Padshahnama (Abdul Hamid Lahori): the official history of Shah Jahan, whose album at Windsor holds the court painting of his reign.

Foreign accounts

  • Francois Bernier, a French physician in India from 1656 to 1668, is the source of the thesis that India had no private property in land.
  • Jean Baptiste Tavernier, a French gem merchant, describes the Peacock Throne.
  • European factors estimated the capital of Virji Vora of Surat at 80 lakh rupees.

Coins

  • The silver rupiya held its weight and fineness for so long because American silver kept reaching India.

Archaeology and monuments

  • The buildings, from Humayun's tomb to the Taj and Bibi ka Maqbara, record the sequence of Mughal style.
  • The margins of Akbar's manuscripts name the designer, the colourist and the face painter of each picture.